I can hear songs from this album being blasted at outdoor parties alongside contemporary rock artists like Kvelertak (as a side note, the song “Spell of the Witch” sounds really similar to “Evig Vandrar” from that band) as well as oldies like AC/DC. It’s a shame that this record was released in the winter because this is definitely a summer vibes record.
One last soul band albums full#
Songs like “Judas”, “Coming Around”, and “Groovy” feel like tracks you’d blast at full volume while cruising over the speed limit down the Trans-Canada Highway in the middle of summer with the windows down.
The songs on here are way more upbeat and ‘driving’ than those of the previous record. When compared to the band’s debut record, The Perfect Disaster, I definitely feel like In Hindsight is evidence of a band having a lot more fun. That being said, his work lives on in this record as the riffs and backing vocals on here were provided by him. The band was arguably his brainchild and it’s a shame he never got to see the group’s sophomore record released to the public. John’s, passed away at the tail end of 2020. Not only did the band suffer a lineup change when guitarist Cory Fagan and drummer Benoit Roy departed to focus on their other band Sons of an Eastern Moon, but founding member and guitarist Johnny Fisher, a legend in his own right within the local punk and metal scene of St. Last Soul Down have had a rough go of things in recent years. Half the fun of hearing a collection like this one is discovering some obscure gems - on The Last Soul Company, such gems include Jewell Bass' seductive "Let Your Love Rain Down on Me," Power's remake of the Rascals' "Groovin'," and male singer Ona Watson's soul makeover of Johnny Paycheck's "Take This Job and Shove It." Obviously, a six-CD set is too much for the casual listener, but for the seasoned R&B fanatic, The Last Soul Company is a fascinating listen.“Some friends brought me to my first show, I heard the music and I wanted more. Over the years, Malaco Records and the Malaco studio dabbled in disco (one of this collection's most famous tunes is Anita Ward's 1979 disco smash "Ring My Bell"), funk and urban contemporary, but essentially, Malaco has remained a soul label with an interest in blues and gospel. Big Stuff" in 1971, Dorothy Moore's "Misty Blue" in 1976 and Z.Z. This collection contains all of the hits that defined Malaco, including King Floyd's "Groove Me" in 1970, Jean Knight's "Mr. It's miraculous that the company survived long enough to have a 30th anniversary - small R&B labels have come and gone over the years, and Malaco itself almost went under at various times. In 1999, Malaco celebrated its 30 years in business with The Last Soul Company, a six-CD box set that spans 1968-1998 and ranges from the decent to the superb. When other black-oriented independents were putting out urban contemporary, rap and house music in the 1980s and 1990s, Malaco was the place you went to hear soulsters like Johnnie Taylor, Denise LaSalle and Latimore and soul-minded bluesmen like Little Milton and Bobby "Blue" Bland. But ironically, Malaco would still be in business long after Stax's 1975 demise, and it would continue to favor classic soul long after most labels had moved away from it. The Jackson, MS-based Malaco, like the Memphis-based Stax, focused mainly on deep-fried Southern soul in the beginning - only in 19, Malaco was a struggling young operation that was fighting to stay afloat. When Malaco Records started out in the late 1960s, the label that small Southern R&B companies looked up to was Stax.
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